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by The Platters is a cornerstone of 1950s doo-wop and one of the most successful romantic ballads of all time. Released in June 1955 on Mercury Records , it became the group's breakthrough hit. Letra (Lyrics)
The track features Williams' soaring tenor supported by rich, smooth background harmonies from David Lynch, Paul Robi, Herb Reed, and Zola Taylor.
The song's lyrics are a simple yet profound declaration of exclusive devotion and transformative love. Only you can make all this world seem right Only you can make the darkness bright Only you and you alone can thrill me like you do And fill my heart with love for only you Verse 2: Only you can make all this change in me For it's true, you are my destiny When you hold my hand I understand the magic that you do You're my dream come true, my one and only you Feature & Musical Style
The famous opening "O-oHHHH-nly you" was a happy accident. During rehearsal in a car, the vehicle jerked, causing lead singer Tony Williams' voice to "break" or crack. The group loved the vulnerable effect and kept it in the final recording.
by The Platters is a cornerstone of 1950s doo-wop and one of the most successful romantic ballads of all time. Released in June 1955 on Mercury Records , it became the group's breakthrough hit. Letra (Lyrics)
The track features Williams' soaring tenor supported by rich, smooth background harmonies from David Lynch, Paul Robi, Herb Reed, and Zola Taylor.
The song's lyrics are a simple yet profound declaration of exclusive devotion and transformative love. Only you can make all this world seem right Only you can make the darkness bright Only you and you alone can thrill me like you do And fill my heart with love for only you Verse 2: Only you can make all this change in me For it's true, you are my destiny When you hold my hand I understand the magic that you do You're my dream come true, my one and only you Feature & Musical Style
The famous opening "O-oHHHH-nly you" was a happy accident. During rehearsal in a car, the vehicle jerked, causing lead singer Tony Williams' voice to "break" or crack. The group loved the vulnerable effect and kept it in the final recording.