The 120 Days Of Sodom — Salгі, Or

The film serves as a brutal allegory for fascism and the dehumanizing nature of absolute power.

Pasolini uses extreme acts of sexual and physical torture as a metaphor for how authoritarian regimes treat their subjects as mere commodities . SalГІ, or the 120 Days of Sodom

The narrative is divided into four segments inspired by Dante’s Divine Comedy : the Anteinferno, the Circle of Manias, the Circle of Shit, and the Circle of Blood. The film serves as a brutal allegory for

Beyond politics, the film critiques modern consumerism, suggesting that the drive to consume—at any cost—leads to total moral nihilism . Historical Significance the Circle of Manias