The premise—the filming of an experimental movie about witch trials—is an explicit homage to cinematic history. Noé punctuates the film with quotes from legendary directors like Carl Theodor Dreyer and Rainer Werner Fassbinder, alongside clips from silent-era films like Häxan and Day of Wrath . By doing so, he establishes a parallel between the historical persecution of "witches" and the contemporary mistreatment of actresses under the directorial "male gaze." Visual Anarchy and Split-Screen Synchronicity
If you'd like to dive deeper into this film or Noé's other work, I can: Lux AEterna(2019)
Provide a list of where you can watch it right now. The premise—the filming of an experimental movie about
Technically, Lux Æterna is defined by Noé’s aggressive use of split-screen and stroboscopic lighting. For much of its runtime, the frame is divided, forcing the viewer’s attention to dart between simultaneous perspectives of the collapsing set. This "diptych" approach creates a sense of frantic, uncontrollable energy; while one side of the screen shows a producer plotting to fire the director, the other shows the director herself trying to manage a distracted crew. Technically, Lux Æterna is defined by Noé’s aggressive
Compare it to his other "sensory assault" films like or Enter the Void .
Lux Æterna is a compact, incendiary reminder that cinema is a "fragile ecosystem where ambition, exhaustion, and ego collide." It is less a traditional narrative and more a performance of stagnation and collapse. By blurring the lines between a high-fashion advert and a historical horror story, Noé captures the enduring paradox of the art form: that the beauty on screen often requires a descent into chaos behind the camera.