The QUATTRO is one of the most flexible, efficient and compact lasers on the market. Many metal working companies have a large number of components to manufacture but only need to produce one or two at a time. Ease of use, plus low operating costs make the QUATTRO the ideal solution for low volumes, without forgoing precision and quality.
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As if on cue, the house DJ—a nineteen-year-old prodigy known as Static Shift —transitioned from a lo-fi hum into a driving, synth-heavy rhythm. The crowd, a sea of oversized hoodies, doc martens, and dyed hair, surged toward the main wall.
It was a world where entertainment wasn't something you just watched—it was something you lived. By midnight, the gallery walls were vibrating, the air was thick with the scent of rain and street food, and for Maya and her friends, the night was only just beginning.
The night wasn't just about the gallery, though. It was about the lifestyle. Between sets, the crowd spilled out into the alleyway where a local vegan taco truck was parked under a string of fairy lights. They talked about upcoming festivals, debated the best film stocks, and shared Spotify playlists like currency. hot teens gallery
Maya adjusted her vintage denim jacket, the one she’d hand-painted with sprawling constellations. Tonight was the "Digital Pulse" exhibition, and her interactive projection was the centerpiece.
"Look at that," Leo whispered, pointing his lens toward a group of skaters who had stopped mid-stride, mesmerized by their own digital shadows. "You didn't just make art, Maya. You made a mood." As if on cue, the house DJ—a nineteen-year-old
Maya’s installation flickered to life. As people moved, their silhouettes were captured by sensors, transformed into ribbons of light that danced across the bricks. It was a fusion of high-tech art and raw, physical movement.
"Nervous?" Leo asked, sliding next to her. He was already framing shots on his retrofitted film camera, his signature thrift-store beanie pulled low. "Just waiting for the beat to drop," Maya joked. By midnight, the gallery walls were vibrating, the
The neon hum of wasn’t just a background noise; it was the heartbeat of Saturday night. Located in a converted warehouse between the historic district and the tech hubs, it had become the unofficial headquarters for the city’s creative underground.

FULL ACCESS TO THE CUTTING AREA:
The three accessible sides of the QUATTRO laser facilitate sheet metal loading and unloading. Large-sized sheets which are bigger than the work area can also be processed, repositioning them manually.

COMPACT STRUCTURE:
With a footprint of just 6.4 m2, the QUATTRO is AMADA's smallest laser. The oscillator and numerical control are contained within the machine to maintain its extremely compact size.

DIVERSIFIED PROCESSING:
With the QUATTRO, not only sheet metal but rectangular and square tubes can be processed, providing even greater flexibility. (Option)

| QUATTRO | QUATTRO | |
|---|---|---|
| Laser power (W) | 1000 | 2500 |
| Machine type | CO₂ flying optic laser | CO₂ flying optic laser |
| Working range X x Y (mm) | 1250 x 1250 | 1250 x 1250 |
| Working range Z-axis (mm) | 100 | 100 |
| Table loading weight (kg) | 80 | 160 |
Material thickness (max.)*: | ||
| - Mild steel (mm) | 6 | 12 |
| - Stainless steel (mm) | 2 | 5 |
| - Aluminium (mm) | 1 | 4 |
Dimensions: | ||
| Length (mm) | 2900 | 2950 |
| Width (mm) | 2450 | 2450 |
| Height (mm) | 2160 | 2160 |
| Weight (kg) | 3750 | 4150 |
* Maximum thickness value depends on material quality and environmental conditions
Technical data can vary depending on configuration / options
Please contact us for more details and options or download our brochure

For your safe use.
Be sure to read the user manual carefully before use.
When using this product, appropriate personal protection equipment must be used.

Laser class 1 when operated in accordance to EN 60825-1
As if on cue, the house DJ—a nineteen-year-old prodigy known as Static Shift —transitioned from a lo-fi hum into a driving, synth-heavy rhythm. The crowd, a sea of oversized hoodies, doc martens, and dyed hair, surged toward the main wall.
It was a world where entertainment wasn't something you just watched—it was something you lived. By midnight, the gallery walls were vibrating, the air was thick with the scent of rain and street food, and for Maya and her friends, the night was only just beginning.
The night wasn't just about the gallery, though. It was about the lifestyle. Between sets, the crowd spilled out into the alleyway where a local vegan taco truck was parked under a string of fairy lights. They talked about upcoming festivals, debated the best film stocks, and shared Spotify playlists like currency.
Maya adjusted her vintage denim jacket, the one she’d hand-painted with sprawling constellations. Tonight was the "Digital Pulse" exhibition, and her interactive projection was the centerpiece.
"Look at that," Leo whispered, pointing his lens toward a group of skaters who had stopped mid-stride, mesmerized by their own digital shadows. "You didn't just make art, Maya. You made a mood."
Maya’s installation flickered to life. As people moved, their silhouettes were captured by sensors, transformed into ribbons of light that danced across the bricks. It was a fusion of high-tech art and raw, physical movement.
"Nervous?" Leo asked, sliding next to her. He was already framing shots on his retrofitted film camera, his signature thrift-store beanie pulled low. "Just waiting for the beat to drop," Maya joked.
The neon hum of wasn’t just a background noise; it was the heartbeat of Saturday night. Located in a converted warehouse between the historic district and the tech hubs, it had become the unofficial headquarters for the city’s creative underground.