The track showcases the tight interplay of a unique percussion-heavy ensemble featuring Marcus Gilmore (drums) and Mauricio Herrera (percussion), delivering what reviewers call a "visceral meteor collision" of sound. Critical Reception

Brennan utilizes electronic effects and pitch-bending on her vibraphone, creating unusual "squiggles and slides" that critics have compared to the work of avant-jazz guitarist Mary Halvorson.

The track is built on an oblong bass ostinato performed by Kim Cass, which provides a steady yet complex foundation for the melody to glide over.

describes the track as "brazen" and part of a "fevered animation" that defines the record.

commends it for envisioning the "rampage of a mythic beast," solidifying Brennan's place among modern vibraphone greats.

highlights it as one of the few tracks on the album with enough concentrated energy to capture immediate interest.

The title refers to the "Nahualli," a mythic shape-shifting beast from Mexican folklore. The music reflects this through a frenetic collage of sound that transforms a simple, laid-back melody into a high-energy exploration.