13 December
This year, artist Tue Greenfort found shelter at a biennial in the far north.
Tenoch Huerta’s Namor is a standout. His motivations are grounded in the history of colonization, making him one of the MCU’s most complex villains.
At 2 hours and 41 minutes, the film is long. The middle act can feel a bit sluggish as it sets up political subplots and future MCU characters (like Ironheart), which occasionally distracts from the core emotional conflict.
Following the death of King T'Challa, Queen Ramonda and Shuri struggle to protect their nation from intervening world powers. The film introduces , the ruler of the underwater kingdom of Talokan, who serves as a powerful and sympathetic antagonist. Unlike many superhero films, this is a somber meditation on grief, isolation, and the weight of leadership . Key Highlights
It is a rare "superhero movie" that feels like a prestigious drama. While it lacks the high-energy pace of the first film, it gains depth through its exploration of loss.
Tenoch Huerta’s Namor is a standout. His motivations are grounded in the history of colonization, making him one of the MCU’s most complex villains.
At 2 hours and 41 minutes, the film is long. The middle act can feel a bit sluggish as it sets up political subplots and future MCU characters (like Ironheart), which occasionally distracts from the core emotional conflict. Tenoch Huerta’s Namor is a standout
Following the death of King T'Challa, Queen Ramonda and Shuri struggle to protect their nation from intervening world powers. The film introduces , the ruler of the underwater kingdom of Talokan, who serves as a powerful and sympathetic antagonist. Unlike many superhero films, this is a somber meditation on grief, isolation, and the weight of leadership . Key Highlights The middle act can feel a bit sluggish
It is a rare "superhero movie" that feels like a prestigious drama. While it lacks the high-energy pace of the first film, it gains depth through its exploration of loss. Unlike many superhero films, this is a somber
This year, artist Tue Greenfort found shelter at a biennial in the far north.
Kunstkritikk’s Abirami Logendran shares three art encounters that stayed with her this year.
Art critic Nora Arrhenius Hagdahl recalls this year’s magical Narnia moments.