Each segment questions whether a single person can maintain their humanity or "love" while the "anger" of the collective world rages around them.
The film was produced in the wake of the 1968 student protests, reflecting the era's obsession with Maoism, Marxism, and anti-imperialism. Amore e rabbia (1969)
Directed by Pier Paolo Pasolini , this is perhaps the most famous segment. It follows a young man (Ninetto Davoli) walking through Rome with a giant red flower, blissfully unaware of the world's suffering and historical atrocities shown in superimposed newsreel footage. Each segment questions whether a single person can
It is often cited as a difficult watch for mainstream audiences but remains essential for students of 1960s counter-culture cinema. It follows a young man (Ninetto Davoli) walking
Amore e rabbia (1969), translated as Love and Anger, is a landmark anthology film that captures the turbulent political and artistic spirit of the late 1960s. It features five segments directed by some of the most influential figures in European cinema, originally conceived as a commentary on the "Gospel" but evolved into a critique of contemporary morality, violence, and revolution. The Directors and Segments
The film is divided into five distinct parts, each utilizing a unique visual language:
Directed by Bernardo Bertolucci , this surrealist piece depicts the dying moments of an old man surrounded by figures who represent different facets of his life and society, blending dreamlike imagery with existential dread.